The Path of Least Resistance
Factoids
Auto-tune is used once in these set of tracks, solely for effect. (Or perhaps that should be for affect. Aha!) I am not T-Pain.
By contrast, mellotron is used four times in three tracks. That is because mellotron is awesome. (Note to Apple: "mellotron" is not a misspelled word.)
There are two awesome screams to be found in these five tracks. I probably enjoyed recording these screams much more than I should have. I imagine our neighbors did not share this sentiment.
I can probably describe, in cringe-worthy detail, each and every spot of noticeable and glaring flatness in my vocals, throughout these five tracks.
It is my firm belief that the quality and power of rock found in these songs isdirectly responsible for my iMac's premature demise. It isn't dead yet, but it is on its last legs. There were supposed to be six tracks included in this set, but there's no way my machine is making it. I'll save that for next time.
My favorite moment in these tracks is the bridge/outro to "Nobody's Perfect," mostly because it actually succeeds in rocking.
There is a Hannah Montana song named Nobody's Perfect. I am not covering that song.
